Today I want to talk to you all about one of my favorite
artists, Laurel Long.
I was first introduced to her
paintings through the book The Magic Nesting Doll, written by Jacqueline K. Ogburn. The book is a fairy tale
about a young girl named Katya who goes on a quest to awaken an frozen prince
who is under the spell of an evil vizier. She does so with the help of a magic
Matryoshka from her grandmother, which, when opened, releases a variety of
magical beings that help her out of tight spots. It’s a simple enough story,
but Long’s illustrations are some of the most beautiful that I have ever seen.
A panel from The Magic Nesting Doll. Copyright Laurel Long. |
Her art has this sort of porcelain-doll
effect. The faces aren’t particularly expressive, but the sheer weight of the
color and detail in the paintings kind of make you glad that they’re not too complicated.
Everything is so gorgeous and intricately beautiful. I especially love the way
that she paints fabric. I’m not sure how even to describe it, except that she
can make burlap look as smooth and beautiful as silk.
Long
has also illustrated some novels, the one that I am most familiar with being The Legend of Holly Claus by Brittney
Ryan. This is about Santa Claus’s daughter and her journey throughout the world
as she attempts to define meaning for herself. Holly Claus is not a very
complex character—her principal character traits are beautiful and kind—but coupled
with Laurel Long’s illustrations, the story feels so much like a fairy tale
that I never minded.
I think
that ultimately is what defines Laurel Long’s art. She makes images that are in
themselves fairy tales, art that is primarily about feelings and inherent
beauty, rather than about the logical difficulties of a story.
Laurel Long's website can be found here. I strongly encourage you to check it out.
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